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    <title>Hyphen Blog</title>
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    <id>tag:www.hyphenmagazine.com,2008-03-28:/blog/5</id>
    <updated>2009-11-20T19:17:03Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Publishing Platform 4.01</generator>

<entry>
    <title>Asians Reportedly Defeating the Economy</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/asians-reportedly-defeating-th.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3861</id>

    <published>2009-11-20T09:12:40Z</published>
    <updated>2009-11-20T19:17:03Z</updated>

    <summary> USA Today has an interesting, if maybe inadvertently stereotypical article, about the infallibility of Asian Americans and Asian immigrants in this economy. It is an article that oscillates between fascinating statistics and under reported conclusions turned generalizations. There&apos;s even...</summary>
    <author>
        <name>Jennifer Nguyen</name>
        
    </author>
    
        <category term="Media" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Race" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="acupuncture" label="acupuncture" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="economy" label="economy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="immigrants" label="immigrants" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stereotypes" label="stereotypes" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<p><a href="http://www.usatoday.com/news/nation/2009-11-15-asians_N.htm"><img class="mt-image-center" style="margin: 0px auto 20px; display: block; text-align: center;" alt="asia_graf.jpg" src="http://www.hyphenmagazine.com/blog/asia_graf.jpg" width="227" height="337" /></a></p>
<p><a href="http://www.usatoday.com/news/nation/2009-11-15-asians_N.htm">USA Today</a> has an interesting, if maybe inadvertently stereotypical article, about the infallibility of Asian Americans and Asian immigrants in this economy. It is an article that oscillates between fascinating statistics and under reported conclusions turned generalizations. There's even a reference to a dry cleaner!<br />&nbsp;<br />According to the article, the good news is that Asian Americans and Asian immigrants have a lower reported unemployment rate (7.5 percent) than the national average (10.2 percent).&nbsp; More specifically, the unemployment gap among Asians is "far lower than the rates for whites, blacks, Hispanics or the national as a whole." Of course, the strong showing among Asians in our disillusioned, disgruntled American workforce is attributed to cultural factors like "education benchmarks and cultural traditions that foster family support when someone is out of work." Cue image here of the overworked geek of indeterminate Asian origin, rising above the rest of American society .<br /><br /></p>]]>
        <![CDATA[As a miraculously employed Asian American, I finished the article feeling frustrated by its findings. I found the statistics to be interesting, the sources diverse (shout out to C.N. Le!), and I give kudos to the writer for clearly chanting "will not write 'model minority'" to himself while drafting the article. However, I was left with concerns about the article’s claims.<br />&nbsp;<br />For instance, although I can accept the statistical evidence that Asians, as a lumped together whole, appear "more educated" than other racial groups, the article merely glosses over <a href="http://www.nytimes.com/2008/06/10/education/10asians.html?_r=1">the socio-economic disparities within the Asian American</a>&nbsp;community.&nbsp; Although a Biblical-length epic can be written about the challenges within the Asian American community, reducing the struggles of low-income Asians to the idea that they "aren't well-educated and don’t speak English well" is rather simplistic. <br /><br />Furthermore, the article cites Asian American familial ties, family businesses, and an aversion to risk as shields against unemployment. According to the article, it is possible that Asian Americans are both cautious <i>and</i> eager participants in the guaranteed financial doom that is running a business. Overall, I wished the piece had focused on the revived entrepreneurial spirit in this recession rather than&nbsp;reminding readers that Asian family ties are tighter than hipster pants.&nbsp;<br /><br />Finally, I was a bit amused by the article’s final argument: that quite simply, unemployment is not accepted in the Asian American community. I question whether, in this apocalyptic economy, any one race endorses unemployment. Does race even factor into a desire to make a living? During my short stint clawing my way out of the jobless black hole, I remember the things that drove me to churn out cover letters. My anguished bank account. My colossal college debt. My desire to do something other than watch the Meredith Vieira version of <i>Who Wants to be a Millionaire</i>. Race was the last thing to cross my mind.<br /><br />If anything, a 7.5 percent unemployment rate is not cause enough to break out the Remy Martin and celebrate. The number is still well above the mythical Clinton-era unemployment rates and shows that the economy is affecting us all -- regardless of race.<br /><br />]]>
    </content>
</entry>

<entry>
    <title>Obama Piece in Washington Times</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/obama-piece-in-washington-time.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3862</id>

    <published>2009-11-18T20:21:55Z</published>
    <updated>2009-11-20T17:05:01Z</updated>

    <summary> Since when did the Washington Times start to sound like something you would read from David Duke or Stormfront? This piece blasts Obama for his bowing behavior during his trip around Asia, criticizing him for practicing a common cultural...</summary>
    <author>
        <name>Alvin Lin</name>
        
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Politics" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <category term="japan" label="japan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="obama" label="obama" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="racism" label="racism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="racist" label="racist" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="washingtontimes" label="washington times" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/EGojdVXpH-0&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/EGojdVXpH-0&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></object>

<br /><br />Since when did the <i>Washington Times</i> start to sound like something you would read from David Duke or Stormfront? <a href="http://www.washingtontimes.com/news/2009/nov/17/pruden-obama-bows-the-nation-cringes/?feat=home_headlines">This piece</a> blasts Obama for his bowing behavior during his trip around Asia, criticizing him for practicing a common cultural show of respect, but also manages to throw in some offensive sentiments as well.<br /><br />]]>
        <![CDATA[Wesley Pruden writes:<br /><blockquote>But Mr. Obama, unlike his predecessors, likely
knows no better, and many of those around him, true children of the
grungy '60s, are contemptuous of custom. Cutting America down to size
is what attracts them to "hope" for "change." It's no fault of the
president that he has no natural instinct or blood impulse for what the
America of "the 57 states" is about. He was sired by a Kenyan father,
born to a mother attracted to men of the Third World and reared by
grandparents in Hawaii, a paradise far from the American mainstream.<br /><br />He
no doubt wants to "do the right thing" by his lights, but the lights
that illumine the Obama path are not necessarily the lights that
illuminate the way for most of the rest of us.</blockquote>Pruden's comments are ridiculous to say the least, in how he denigrates Obama's mother, the non-white men of her life, as well as suggesting that Obama doesn't think like a real American.<br /><br />The
comments after that article also reveal quite a few bigoted opinions,
in my opinion. I don't think they are too off the mark in revealing
where this country actually still stands when it comes to race,
cultural, or religious relations -- not to mention cultural ignorance
or superiority-complex. I'm willing to bet that most of those prejudiced commenters have never been beyond this nation's borders.<br /><br />If you've ever heard the term 'ugly American' and wonder why it exists, I'd point to this article and its comments. What is just as disturbing is how routinely comments like that can be found on other popular US sites, including YouTube.<br /><br />]]>
    </content>
</entry>

<entry>
    <title>Free Album Download from ill-Literacy</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/free-album-download-from-illli.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3860</id>

    <published>2009-11-18T00:55:13Z</published>
    <updated>2009-11-18T07:32:05Z</updated>

    <summary>Listen up. First chapter of ill-Literacy&apos;s album, &quot;iB4the1.1,&quot; is now available to you free of charge!Can we say amen to open-source music?If you&apos;re a loyal Hyphen subscriber (which I know all of you are), you&apos;ll remember reading about them in...</summary>
    <author>
        <name>Lisa Lee</name>
        
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="hiphop" label="hip hop" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hiphop" label="hip-hop" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="illliteracy" label="iLL-Literacy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="spokenword" label="spoken word" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[Listen up. First chapter of ill-Literacy's album, "iB4the1.1," is now available to you <a href="http://www.ill-literacy.com/">free of charge</a>!<br /><br />Can we say amen to open-source music?<br /><br />If you're a loyal Hyphen subscriber (which I know all of you are), you'll remember reading about them in <a href="http://www.hyphenmagazine.com/component/option,com_magazine/func,show_edition/id,99/Itemid,1/">The Family Issue</a> in "School of iFunk" written by our former music editor, Zoneil Maharaj. <span style="font-weight: bold; text-transform: uppercase;"></span>These guys also performed at our release party for the same issue earlier this year and just killed it. They really know how to work the crowd. So if you haven't caught the ill-Literacy bug yet, now's the perfect time. <br /><br />In fact, I'm rocking out to it right now, at work. No joke. My co-workers are staring at me funny. <br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="hyphen_ill.jpg" src="http://www.hyphenmagazine.com/blog/hyphen_ill.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="500" height="350" /></span><br /><br /><br /><br /><br /><br />]]>
        <![CDATA[<p><span style="text-decoration: underline;"><strong>Track Listing for <em>iB4the1.1</em>:</strong></span><br /><br />
<strong>1. HihowRu </strong><br />
<em>Additional contributions by Smashley Johns (vocals)<br />
</em></p>
<p><strong>2. Gentleman’s Kool-Aid</strong><br />
<em>Additional contributions by Rufus Redbone (vocals) &amp; Billy Hi-Life (bass)</em></p>
<p><strong>3. The HereNow</strong><br />
<em>Additional contributions by Jeremy “Passion” Manongdo (vocals), Billy Hi-Life (bass) &amp; Sammy Hi-Life (guitar)</em></p>
<p><strong>4. Finding Emo</strong><br />
<em>Additional contributions by Ruby Veridiano-Ching (vocals), </em></p>
<p><strong>5. Circus Nights</strong><br />
<em>Additional contributions by Rufus Redbone (vocals) &amp; Sammy Hi-Life (guitar)</em></p>
<p>All songs produced by Dahlak, co-produced by Ada Clock</p><p>So what you waiting for? Shy? Oh, stop. <a href="http://ill-literacy.com/">Get your listen on now.</a><br /></p><p><br /></p><p><a href="http://ill-literacy.com/"></a></p>]]>
    </content>
</entry>

<entry>
    <title>The Hyphenite&apos;s Social Calendar: Enter the Green Dragon, BANANA Roundtable</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/the-hyphenites-social-calendar-38.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3856</id>

    <published>2009-11-18T00:49:37Z</published>
    <updated>2009-11-20T15:12:30Z</updated>

    <summary>Tuesday November 17th -- NationwidevisualizAsian.com with Lac SuvisualizAsian.com -- as part of their AAPI Empowerment Series -- will be presenting an interview with Lac Su, author of the powerful new memoir I Love Yous Are for White People, about Su&apos;s...</summary>
    <author>
        <name>Cynthia Brothers</name>
        
    </author>
    
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        <![CDATA[<b>Tuesday November 17th -- Nationwide<br /><br />visualizAsian.com with Lac Su</b><br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="lacsu-va.jpg" src="http://www.hyphenmagazine.com/blog/lacsu-va.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="280" height="406" /></span><a href="http://visualizasian.com/">visualizAsian.com</a> -- as part of their AAPI Empowerment Series -- will be presenting an interview with <a href="http://blogs.myspace.com/lacdsu">Lac Su</a>, author of the powerful new memoir <i><a href="http://www.hyphenmagazine.com/blog/2009/10/lac-su-i-love-yous-are-for-whi.html">I Love Yous Are for White Peopl</a>e</i>, about Su's refugee upbringing in Los Angeles. Also an executive for a global think tank and a father, painter, and photographer, Su is organizing the upcoming <a href="http://www.facebook.com/home.php?#/event.php?eid=157638342636&amp;ref=ss">BANANA API Bloggers Roundtable</a>. Participants will have a chance to submit questions for Lac prior or during the interview.<br /><br />6 pm PST / 7 pm Mountain / 8pm Central / 9 pm Eastern<br />Phone or webcast -- registration <a href="http://visualizasian.com/aapi-empowerment-series-signup-lacsu.html">here</a>.<br />FREE<br /> <div><br /></div>]]>
        <![CDATA[<b>Thursday November 19th -- NYC<br /><br />Chinese Bodies, Their Parts, and Their Markets<br /><br /></b>
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="hayot.jpg" src="http://www.hyphenmagazine.com/blog/hayot.jpg" width="250" height="382" /></span>In the basement of the Yale University Medical Library are some 80 portraits of the patients of Dr. Peter Parrker, the American founder of the first Western hospital in China. Join Eric Hayot, the Director of the Asian Sudies Program at Penn State, as he discusses their meaning and the intersection of biological, cultural, economic, and political exchanges between China and the West, as expressed through the Chinese body and the contemporary exhibits that put them on display. More info <a href="http://apa.as.nyu.edu/object/hayot_fall2009_event.html">here</a>.<br /><br />12:30 pm<br />20 Cooper Square, Room 471<br />FREE<br /><br /><b><i>Stuck Elevator</i> Workshop Reading</b><br /><br />
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="stuckelevator.JPG" src="http://www.hyphenmagazine.com/blog/stuckelevator.JPG" width="216" height="323" /></span>Prompted by the real-life story of Ming Kuang Chen, <a href="http://stuckelevator.wordpress.com/"><i>Stuck Elevator</i></a> is an operatic solo performance about a Chinese deliveryman trapped in an elevator for three days. Music by Composer <a href="http://hearbyron.com/default.aspx">Byron Au Yong</a>, words by spoken word artist <a href="http://aaronjafferis.com/">Aaron Jafferis</a>, performed by <a href="http://www.steveneng.us/">Steven Eng</a>.<br /><br />4:30 pm<br />Pearl Studios<br />500 8th Ave, 4th floor, New York<br />FREE, RSVP <a href="http://www.apa.nyu.edu/">here</a><br /><br /><b>Korean Ghost Stories: Classic Korean TV</b><br /><br />
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="koreanghost.jpg" src="http://www.hyphenmagazine.com/blog/koreanghost.jpg" width="263" height="200" /></span>Since 1977, the TV show "Korean Ghost Stories" has thrilled Korean audiences with tales of the supernatural. <a href="http://www.koreasociety.org/">The Korea Society</a> presents a series introduction by Professor Heinz Insu Fenki and screening of the episode <i>Nine-Tailed Fox</i>,(starring Park Min-young, Kim Hae-eun, and Kim Tae-ho). More info and tickets <a href="http://www.koreasociety.org/arts/film/korean_ghost_stories.html">here</a>.<br /><br />6:30 pm<br />Korea Society<br />950 3rd Ave, 8th floor, New York<br />$ 15 general / $ 10 members<br /><br />"<b>Asefeka of the Unmalosa" Exhibit</b><br /><br />
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="asefeka.jpg" src="http://www.hyphenmagazine.com/blog/asefeka.jpg" width="200" height="267" /></span>Check out this solo exhibition of Samoan visual artist <a href="http://www.andyleleisiuao.com/">Andy Lelei'siuao</a>, inspired by animal extinction at the hands of human pollution: "the enigmatic creatures and ambiguous iconography of 'Asefeka of the Unmalosa' offer a canvass-sanctuary with narratives and dialogues tainted with <i>alofa</i> (love), peace, supoprt, hope and frienship."&nbsp; Exhibit runs through December 8, 2009.&nbsp; <br /><br />Artist reception 6 to 8 pm<br /><a href="http://www.kipsgallery.com/">Kips Gallery</a><br />511 West 25th St, 2nd floor, New York<br /><br /><b>Thursday November 19th -- Oakland<br /><br />Enter the GREEN Dragon: APIs Winning Environmental Justice</b><br /><br />
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="APENdragonsmall.JPG" src="http://www.hyphenmagazine.com/blog/APENdragonsmall.JPG" width="278" height="429" /></span><a href="http://www.apen4ej.org/">The Asian Pacific Environmental Network</a> (APEN) presents its 15th Anniversary celebration, featuring keynote speakers, special performances, and an art auction. Proceeds will help support APEN's work around organizing low-income communities for environmental reform.&nbsp; <br /><br />6 to 9 pm<br />Oakland Rotunda<br />300 Frank Ogawa Plaza <br />$ 75 and up, more info and tickets <a href="https://secure.groundspring.org/dn/index.php?aid=166">here</a><br /><br /><b>Friday November 20th -- NYC<br /><br />LGBT LEO Bar at Asia Society</b><br /><br />
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="leobar.jpg" src="http://www.hyphenmagazine.com/blog/leobar.jpg" width="360" height="240" /></span>
<p><a href="http://asiasociety.org/">Asia Society</a>,&nbsp; <a href="http://www.apicha.org/">Asian &amp; Pacific Islander Coalition on HIV/AIDS</a> (APICHA), and <a href="http://www.gapimny.org/">Gay Asian and Pacific Islander Men of New York</a> (GAPIMNY) present Leo Bar. Enjoy cocktails, mingling, and art exhibitions at the museum. Free docent-led tours include the exhibits "<a href="http://asiasociety.org/arts-culture/asia-society-museum/current-exhibitions/hanging-fire-contemporary-art-pakistan">Hanging Fire: Contemporary Art from Pakinstan</a>", "<a href="http://asiasociety.org/arts-culture/asia-society-museum/current-exhibitions/devotion-south-india-chola-bronzes">Devotion in South India: Chola Bronzes</a>", and "<a href="http://asiasociety.org/arts-culture/asia-society-museum/current-exhibitions/yoshihiro-suda-focus">Yoshihiro Suda: In Focus</a>". <br />&nbsp;<br />6 to 9 pm<br />Martini &amp; bellini drink specials 6 to 7 pm<br />Exhibition tours at 7 and 7:30 pm<br />Asia Society<br />725 Park Avenue, New York<br />Free admission, cash bar<br /><br /><b>Friday November 20th -- Los Angeles<br /><br /><i>Mr. Sadman</i> Screening</b> <b>&amp; Release Party with Goh Nakamura</b></p>
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<p><br /><a href="http://www.facebook.com/pages/Mr-Sadman/16017441042"><i>Mr. Sadman</i></a>, written and directed by Patrick Epino, is a dark comedy about Mounir, an impressionable Saddam Hussein body-double in 1990 who loses his job and moves to LA to get a fresh start.&nbsp; But once the real Saddam invades Kuwait, Mounir attempts to shed his Saddam personae forever. Unfortunately, he doesn't know how to be anyone else. Film is also available for purchase <a href="http://www.mrsadman.com/">here</a>, and a dollar from every purchase will be donated to Philippine typhoon relief.&nbsp; Film runs through November 26th at the <a href="http://www.downtownindependent.com/events/mr-sadman">Downtown Independent Theater</a>. &nbsp; <br /><br />7 pm: Open bar reception<br />8:15 pm: Live performance from <a href="http://gohnakamura.com/">Goh Nakamura</a><br />9 pm: Film Screening<br />11 pm: Rooftop party with music from <a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.myspace.com%2Fmistacookiejar&amp;h=b10a0e4d133adc19e480e07b50802d12">C.J. Pizarro</a><br />Downtown Independent Theater<br />251 South Main St, Los Angeles<br />$ 5 / $ 10 tickets <a href="http://www.brownpapertickets.com/producerevent/90191?prod_id=13603">here</a><br /></p><p><b>Friday November 20th -- Philadelphia</b><br /></p><b>Family Style with Kelly Tsai and Yellow Rage<br /><br /></b><span class="mt-enclosure mt-enclosure-image"><img alt="Kelly_Tsai.jpg" src="http://www.hyphenmagazine.com/blog/Kelly_Tsai.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="361" height="500" /></span><p>The <a href="http://www.asianartsinitiative.org/">Asian American Arts Initiative</a> presents Family Style -- a new family-friendly open mic series hosted by Michelle Myers and Catzie Vilayphonh of <a href="http://www.yellowrage.com/">Yellow Rage</a>. This show will highlight national and local anti-violence initiatives, and features Def Poet <a href="http://www.yellowgurl.com/">Kelly Zen-Yie Tsai</a>.</p><p>7:30 pm</p><p>Asian Arts Initiative</p><p>1219 Vine St, Chinatown, Philadelphia</p><p>$ 5 to $ 10 sliding scale<br /></p><p><br /></p><p><b>Friday November 20th to Saturday November 21st -- San Jose<br /><br />Ninth Annual Asian Comedy Night with 18 Mighty Mountain Warriors</b></p>
<p><strong></strong>&nbsp;</p>
<div align="center"><object width="425" height="344"><embed type="application/x-shockwave-flash" src="http://www.youtube.com/v/UqXYe9j9Ox4&amp;hl=en_US&amp;fs=1&amp;" allowfullscreen="true" allowscriptaccess="always" width="425" height="344"></object><br /></div><br />Contemporary Asian Theater Scene (CATS) welcomes Los Angeles sketch comedy troupe <a href="http://18mmw.com/">18 Mighty Mountain Warriors</a> for it's Annual Asian Comedy Night. The Emmy Award-winning Warriors, now in their 15th year, will bring old faves and new tricks for their only appearance in Northern Cali.<br />
<div><br />11/20: 8 pm, with cast reception<br />11/21: 7 pm and 10 pm<br />San Jose Woman's Club<br />75 South 11th St, San Jose<br />$ 25 Friday show / $ 20 Saturday shows, tickets <a href="http://brownpapertickets.com/event/84600">here</a><br /><br /><b>Saturday November 21st -- New York<br /><br />"Love The Islands" Tsunami Relief Fundraiser<br /><br /></b>On September 29th, 2009, the Samoa earthquake generated a tsunami which killed almost 200 people, left thousands homeless, and caused severe damage to businesses, infrastructure, and nature reserves. Ataahua Papa is hosting a performance event, with all proceeds to Samoan Red Cross, American Samoa Red Cross, and Tonga Red Cross. Featuring Matou, <a href="http://www.facebook.com/pages/Mahina-Movement/26535898304">Mahina Movement</a>, <a href="http://www.brooklynartscouncil.org/documents/899">Kaina Quenga</a>, Keiki Hula, Polynesian Dance Productions, Etienne Leomiti, Hone Bailey, Te Hoe Kapa Haka, Miss BME, Hawaiian Music, Na Lehua Melemele, and <a href="http://www.brooklynartscouncil.org/documents/927">Cliff Matias</a>.<br /><br />3 pm<br />NYU Kimmel Center<br />60 Washington Square, Room 914, New York<br />$ 30 adult / $ 5 children<br /><br /><b>Saturday November 21st -- Los Angeles<br /><br />BANANA API Blogger Roundtable</b></div>
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<div align="center"><object width="560" height="340"><embed type="application/x-shockwave-flash" src="http://www.youtube.com/v/SlwaD-JycBc&amp;hl=en_US&amp;fs=1&amp;" allowfullscreen="true" allowscriptaccess="always" width="560" height="340"></object><br /></div>
<div><br /><a href="http://www.facebook.com/LacSu">Lac Su</a>, author of <i>I Love Yous Are For White People</i>, and Steve Nguyen, head of Los Angeles' channelAPA.com, will convene <a href="http://www.facebook.com/LacSu#/event.php?eid=157638342636&amp;ref=ts">BANANA</a>, a first ever gathering and roundtable of "infamous" API bloggers to discuss issues affecting our community and the future of our voice. Participants will include bloggers from <a href="http://www.hyphenmagazine.com/blog">Hyphen</a> (including erin and Cynthia), <a href="http://www.angryasianman.com/">Angry Asian Man</a>, <a href="http://www.minoritymilitant.blogspot.com/">Minority Militant</a>, <a href="http://www.sepiamutiny.com/">Sepia Mutiny</a>, <a href="http://www.8asians.com/">8Asians</a>, <a href="http://www.bicoastalbitchin.com/">Bicoastal Bitchin</a>, <a href="http://www.apaforprogress.org/">APAs for Progress</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.kimchimamas.typepad.com">Kimchi Mamas</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.antisocial-ladder.blogspot.com">Antisocial Ladder</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.mochimag.com">Mochi Magazine</a>, <a href="http://www.visualizasian.com/">VisualizAsian</a>, <a href="http://www.neaat.wordpress.com/">Neeato</a> (Network of Entertaining Asian American Talent), <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.dvanonline.org">Diasporic Vietnamese American Network</a> (DVAN), <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.channelapa.com">Channel APA</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.aznraps.com">AZNRaps</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.aarising.com">AARising</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.nikkeiview.com/blog">Nikkei View</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.bigwowo.com">Big WOWO</a>, <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.popcast88.com">Pop88</a>,&nbsp; and <a href="http://www.hyphenmagazine.com/blog/mt-static/html/www.apimovement.com">Asian American Movement</a>. Meet and greet/afterparty to follow. See you there! <br /><br />3 to 6 pm<br />University of Southern California<br />Taper Hall, Room 101, Los Angeles<br />FREE<br />After party: 7 pm<br />Zip Fusion Sushi<br />744 East 3rd St<br /><br /><b>Queer Pin@y Conference 2009</b> <br /><br /></div>
<div>
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="qpc.JPG" src="http://www.hyphenmagazine.com/blog/qpc.JPG" width="128" height="128" /></span></div>
<div><a href="http://www.zipfusion.com/downtown/">Samahang Pilipino</a> at UCLA will host the 10-year anniversary of the Queer Pin@y Conference. This year's theme "Bring it Back" has a double meaning: bring it back to 1999 to see how far the queer Pin@y community has progressed, and bring back knowledge and consciousness to more spaces and communities. More info and complete schedule <a href="http://qpc2009.wordpress.com/">here</a>. <br /><br />9 am to 9 pm (includes dinner and awards ceremony)<br />After party at 10 pm<br />UCLA<br />Grand Ackerman Ballroom<br />308 Westwood Plaza, Losa Angeles<br />Registration <a href="https://spreadsheets.google.com/viewform?hl=en&amp;formkey=dGp0ektEMFN6X3dBbFBDTG5WVDdONWc6MA">here</a><br /><br /><b>Saturday November 21st -- Minneapolis<br /><br />Equilibrium Spoken Word with Geologic<br /><br /></b><span class="mt-enclosure mt-enclosure-image"><img alt="loft.JPG" src="http://www.hyphenmagazine.com/blog/loft.JPG" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="56" height="90" /></span>This edition of <a href="http://www.loft.org/index.cfm?fuseaction=category.display&amp;category_id=259">Equilibrium</a>, a poetry/spoken word series, features Geo (of the Seattle hip hop duo <a href="http://bluescholars.com/blog/">Blue Scholars</a>), poet Sandra Garcia Rivera, Nikko Sencer-Mura, and <a href="http://chantzerolin.bandcamp.com/">Chantz Erolin</a>. Music by DJ Nak.<br /><br />8 pm<br /><a href="http://www.loft.org/">The Loft Literary Center</a><br />Open Book<br />1011Washington Ave South, Minneapolis<br />$ 5 / $ 3 students<br /></div><div><br />&nbsp;</div>
<div align="center"><font style="font-size: 1.25em;"><b>Opportunities</b><br /><br /></font>
<div align="left"><font style="font-size: 0.64em;"><b><font style="font-size: 1.56em;">Mavericks of Asian Pacific Islander Descent (MAPID) Writer's Group<br /><br /></font></b><font style="font-size: 1.56em;">MAPID,<font style="font-size: 1.56em;"> </font></font><font style="font-size: 1.56em;">the producer of </font><font style="font-size: 1.56em;"><a href="http://www.mapid.us/">Breaking the Bow</a>, <font style="font-size: 1em;">annou</font>nc</font><font style="font-size: 1.56em;"><font style="font-size: 1em;">es</font> its new <a href="http://www.mapid.us/writersgroup.html">API Writers Group</a>, to meet in Studio City, CA. Focus is on new and emerging writers, but all are invited to apply. The group will be limited to 10 and will be formed by application process. The group will explore varied forms of written expression including but not limited to playwriting, screenwriting, short story and long form. The group will concentrate on individual and collective writings with a possible project arising fro production at Breaking the Bow 2010. Send a brief bio/resume and a narrative one page or less that includes reasons and objectives for joining the writers group with subject header "MAPID Wriers Group" to ken(at)mapid(dot)us.<br /><br /><b>Rooftop Films -- Call for Submissions</b><br /><br /></font></font>
<span class="mt-enclosure mt-enclosure-image"><img style="margin: 0pt auto 20px; text-align: center; display: block;" class="mt-image-center" alt="logo_rooftop.JPG" src="http://www.hyphenmagazine.com/blog/logo_rooftop.JPG" width="200" height="130" /></span><font style="font-size: 0.64em;"><font style="font-size: 1.56em;"><a href="http://www.rooftopfilms.com/">Rooftop Films</a>, a summer film series in New York City dedicated to showcasing new, independent film and emerging bands in unique outdoor locations</font></font>&nbsp;<font style="font-size: 0.64em;"> <font style="font-size: 1.56em;">a</font><font style="font-size: 1.56em;">nd was viewed by over 25,000 people last season</font></font><font style="font-size: 0.64em;">. <font style="font-size: 1.56em;">Rooftop</font><font style="font-size: 1.56em;"><font style="font-size: 1.56em;"> </font>is currently accepting film submissions for the 2010 season. Films of all genres, formats, and lengths are shown. More info and submission info <a href="http://www.rooftopfilms.com/2010_submission_form.pdf">here</a>. <b>Earlybird deadline: $ 9 -- December 5, 2009. Regular deadline: $ 15 -- January 15, 2010</b>.</font></font><font style="font-size: 1em;"><b><font style="font-size: 1.56em;">&nbsp; </font></b></font><br /></div></div>
<div><br /></div>]]>
    </content>
</entry>

<entry>
    <title>Page Turner Literary Festival: Part Two!</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/page-turner-literary-festival.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3857</id>

    <published>2009-11-17T18:51:05Z</published>
    <updated>2009-11-17T19:57:08Z</updated>

    <summary>A big pile of tasty books!After Cynthia took off I checked out the second half of the Page Turner Literary Festival. It was fantastic and inspiring to see so many people packed into one space for this event. On a...</summary>
    <author>
        <name>Lisa Ko</name>
        
    </author>
    
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    <category term="harikunzru" label="hari kunzru" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hengrychang" label="hengry chang" scheme="http://www.sixapart.com/ns/types#tag" />
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        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="page_books.jpg" src="http://www.hyphenmagazine.com/blog/page_books.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="500" height="333" /></span><div align="center"><i>A big pile of tasty books!<br /><br /></i></div><br />After <a href="http://www.hyphenmagazine.com/blog/2009/11/page-turner-asian-american-lit.html#more">Cynthia took off</a> I checked out the second half of the <a href="http://pageturnerfest.org/">Page Turner Literary Festival</a>. It was fantastic and inspiring to see so many people packed into one space for this event. On a personal note, I credit the <a href="http://www.aaww.org/">Asian American Writers Workshop</a> with changing my life -- an internship there back in 1996 introduced me to an amazing community of writers, artists and activists. (I also edited their magazine for several years after college.) The AAWW&nbsp; offered me real-life examples of being a working writer, something that I never even saw as possible before that. It's great to see it not only still going strong, but also expanding its programming to include larger-scale events like Page Turner. <br /><br /> ]]>
        <![CDATA[The first panel I attended, “Registered: Narratives of Internment and
Detention,” featured Japanese American and South Asian American writers
and filmmakers whose work poses questions of how mass deportation and
detention have affected their communities. <a href="http://www.asiasociety.org/arts-culture/literature/sunaina-maira-desis-house-or-indian-american-youth">Sunaina Maira</a> (<i>Missing: Youth, Citizenship, and Empire After 9/11</i>) touched on the
importance of countering the collective amnesia of empire in the US
and the preoccupation in literature with politics and religious
identity when writing about Muslim youth. <a href="http://marinabudhos.com/">Marina Budhos</a> (<i>Ask Me No
Questions</i>)&nbsp; read a passage from her book about a
Bangladeshi American family driving to the Canadian border to apply for
asylum shortly after 9/11. Author <a href="http://www.randomhouse.com/boldtype/0902/otsuka/interview.html">Julie Otsuka</a> (<i>When the Emperor was
Divine</i>) and filmmaker <a href="http://www.reatajiri.com/">Rea Tajiri</a> (who played a clip
from<i> History and Memory</i>) shared their families’ World War II
internment experiences, from gathering evidence of the camps to issues
of memory and denial. I thought the parallels between all these
narratives and the historical and very timely aspects were so relevant,
but unfortunately the Q&amp;A ran out of time before we could really
get into it. <br />
<br /><span class="mt-enclosure mt-enclosure-image"><img alt="page_crowd.jpg" src="http://www.hyphenmagazine.com/blog/page_crowd.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="500" width="333" /></span><i></i><div align="center"><i>The beautiful audience</i><br /><br /><br /></div>I then attended “Funky Jobs, Funkdafied Writing,” which looked at the
literal and not-so literal connections between the life of a writer and
the work a writer produces. <a href="http://chinatowntrilogy.com/">Henry Chang</a> (<i>The Year of the Dog</i>) was director of security for the Trump
organization before becoming a novelist, a job with law enforcement
aspects that later informed his writing. “Security business is a weird
kind of business,” he said, from naked people riding in elevators to
very odd hours. <a href="http://authors.simonandschuster.com/Katie-Kitamura/49774003">Katie Kitamura</a> read from her novel <i>The Longshot</i>, which features mixed martial arts
(MMA) fighters – although not a fighter, she likened her training as a
dancer to the discipline involved when practicing MMA.<a href="http://www.lijiazhang.com/"> Lijia Zhang</a> (<i>Socialism is Great!</i>) worked at a rocket factory in China for 10
years, helping produce inter-continental missiles, a richly ironic
tidbit as she is now living in Iowa as part of a government-sponsored
international writing program (insert metaphor regarding literature and
weapons here). Her factory job, she said, was “soul destroying and
boring,” but lightened by her crush on a co-worker with “long hair and
a long something else.” <br />
<br />
The last panel I went to, “Sex and the Cities: Stories of Love &amp;
The Metropolis,” included internationally based readings from <a href="http://www.pen.org/page.php/prmID/1261">Monique
Truong</a> (<i>The Book of Salt</i>),
<a href="http://www.mortbaharloo.com/">Morteza Baharloo</a> (<i>The Quince Seed Potion</i>) and <a href="http://www.harikunzru.com/">Hari Kunzru</a> (<i>My Revolutions</i>). Kunzru mentioned that his book has
no Asian characters, “a deliberate choice to see if it would be ‘allowed’
by the publishing industry.” This need to expand the definition of
Asian/Asian American lit beyond the limited scope ascribed by the industry
also came up when AAWW Executive Director Ken Chen mentioned that no
writing is universal – although white writers are often seen as
tackling universal topics while writers of color are “regionalist” –
but it’s in the regional that we find the universal. I thought that all of the panels and readings I went to at the festival, as well as the audience itself, also reflected the importance of ensuring that "Asian American" doesn't just mean "East Asian."&nbsp; <br />
<br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="page_jl.jpg" src="http://www.hyphenmagazine.com/blog/page_jl.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="500" width="333" /></span><div align="center"><i>Jhumpa Lahiri reading from her latest book, </i>Unaccustomed Earth<br /></div><br /><br />The readings closed off with <a href="http://www.randomhouse.com/kvpa/jhumpalahiri/">Jhumpa Lahiri</a>, the winner of the
Workshop’s 2009 Asian American Literary Award in Fiction for her short story collection <i>Unaccustomed Earth</i>. The AAWW
hosted Lahiri’s first (and only!) book party in June 1999. She also
taught a fiction class at the Workshop that year that I attended, along
with <a href="http://www.edlinforpresident.com/">Ed Lin</a> and <a href="http://genuinearticle.wordpress.com/">Kai-Ming Cha</a>, both of who were also at Page Turner, and <a href="http://www.minjinlee.com/">Min Jin Lee</a>. (Ed mentioned to me that the
class we took with Lahiri was 10 years ago this month! It seems like a
lifetime ago, which I guess it kind of was.) In a Q&amp;A led by writer
<a href="http://www.amitavakumar.com/">Amitava Kumar</a>, Lahiri shared some
fascinating anecdotes, including: <br />
<br />
* When she found out she won the Pulitzer Prize for <i>Interpreter of
Maladies</i>, she was peeling an orange and heating up soup. An intern
phoned her to fact-check who she was, but neither Lahiri nor her
husband believed she had actually won at first. &nbsp;<br />
<br />
* In her early 20s, Lahiri wanted to write fiction but was too afraid.
She hid behind the shield of being an academic, which was what was
expected of her. Writing fiction was a way for her to not answer to
expectations. Her first book was actually written while she was
completing her dissertation. <br />
<br />
* She doesn’t like to write reviews because it feels like too much
responsibility. She also doesn’t like to read reviews of her work – her
husband tears out book reviews from the newspaper before she reads them
– and feels that it’s best for her not to hear the voices outside to
maintain equilibrium. To write, she has to be as “minimally conscious
of an audience as possible,” or she feels too afraid, and that there’s
too much responsibility. <br />
<br />
* Lahiri sent out the manuscript for <i>Interpreter of Maladies</i> and was
rejected several times. She likened continuing to submit the work in
the face of rejection as “throwing a little ball into a hole at an
amusement park” and having a "foolish obsession" with trying again and
again. <br />
<br />
* As a mother, Lahiri’s goal at this point is to write when she’s alone
in the house. Her writing day effectively ends at 3 pm, when she has to
pick the kids up from school, and there’s a&nbsp; “firm click of the switch”
in her mind. <br />
<br />When the readings wrapped up it was night, I’d been sitting inside through five hours of back-to-back panels, and I was still ready for more! By the time the crowd moved to the festival’s after-party, it felt like one big family reunion. Congrats to the AAWW staff for putting together such a well-curated and well-attended feastival -- I hope it’s just the beginning. <br /><br /><div><br /></div>]]>
    </content>
</entry>

<entry>
    <title>Congrats to Mr. Hyphen 2009: Pahole Sookkasikon</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/mr-hyphen-2009-pahole-sookkasi.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3859</id>

    <published>2009-11-17T08:05:53Z</published>
    <updated>2009-11-17T09:14:02Z</updated>

    <summary>He&apos;s So Money: Newly crowned Mr. Hyphen 2009 Pahole Sookkasikon. Photo by John C. Liau.Even the Pacquiao-Cotto fight couldn&apos;t stop Hyphen fans from turning out in droves this past Saturday to cheer for their favorite Asian American men at the...</summary>
    <author>
        <name>erin Ninh</name>
        
    </author>
    
        <category term="Events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Hyphen Events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="apiaspokenwordpoetrysummit" label="APIA Spoken Word &amp; Poetry Summit" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="asianamericandonorprogram" label="Asian American Donor Program" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="centerforasianamericanmedia" label="Center for Asian American Media" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dannyle" label="Danny Le" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lengphe" label="Leng Phe" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mrhyphen" label="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mrhyphen" label="mr. hyphen" scheme="http://www.sixapart.com/ns/types#tag" />
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    <category term="sikhcess" label="Sikhcess" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thaiamericanscholarshipfund" label="Thai-American Scholarship Fund" scheme="http://www.sixapart.com/ns/types#tag" />
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    <category term="tonydouangviseth" label="Tony Douangviseth" scheme="http://www.sixapart.com/ns/types#tag" />
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    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<div align="center"><br /></div><span class="mt-enclosure mt-enclosure-image"><img alt="Mr Hyphen 2009 for blog (5 of 5).jpg" src="http://www.hyphenmagazine.com/blog/Mr%20Hyphen%202009%20for%20blog%20%285%20of%205%29.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="333" width="500" /></span><div align="center"><i>He's So Money: </i><i>Newly crowned Mr. Hyphen 2009 Pahole Sookkasikon. Photo by John C. Liau.</i><br /></div><br />Even the Pacquiao-Cotto fight couldn't stop Hyphen fans from turning out in droves this past Saturday to cheer for their favorite Asian American men at the fourth annual Mr. Hyphen contest. With a shot of talent, a shot of fashion and, in the words of one of the judges, "a lot of soul," there was something for everyone. At the end of the night, Pahole Sookkasikon took home the crown and $1,000 for his chosen nonprofits, the <a href="http://www.asianpacificfund.org/awards/thai.shtml">Thai-American Scholarship Fund</a> and the <a href="http://www.aadp.org/">Asian American Donor Program</a>.<br /><br />]]>
        <![CDATA[Five other worthy candidates competed for the title of Mr. Hyphen:<br />&nbsp;&nbsp;&nbsp;&nbsp; Amit Singh, <a href="http://sikhcess.com/ecom.asp?">Sikhcess</a><br />&nbsp;&nbsp;&nbsp;&nbsp; Danny Le, <a href="http://apiaword.com/">APIA Spoken Word &amp; Poetry Summit</a><br />&nbsp;&nbsp;&nbsp;&nbsp; Leng Phe, <a href="http://www.tinytoonescambodia.com/">Tiny Toones Cambodia</a><br />&nbsp;&nbsp;&nbsp;&nbsp; R.J. Lozada, <a href="http://www.asianamericanmedia.org/">Center for Asian American Media</a><br />&nbsp;&nbsp;&nbsp;&nbsp; Tony Douangviseth, <a href="http://www.servethepeopleca.webs.com/">Serve the People</a><br /><br />Added to that was the star power of the judges -- journalist and
activist Helen Zia, playwright Philip Kan Gotanda, and reigning <a href="http://www.gapa.org/">Mr. Gapa</a> 2009 Eric Yu. D’Lo, the MC for the evening, stole the show between segments with jokes and charm.<br /><br /><br />

<span class="mt-enclosure mt-enclosure-image"><img alt="Mr Hyphen Judges.jpg" src="http://www.hyphenmagazine.com/blog/Mr%20Hyphen%20Judges.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="333" width="500" /></span><div align="center"><i>The Judges: Eric Yu, Helen Zia, and Philip Kan Gotanda. Photo by John C. Liau</i>.<br /></div>

<br />“They’re
good-looking, down, and they can tap dance too!” said D’Lo of the
show’s talent segment. Danny Le’s spoken-word poem “Vietnamese Men Are
Lovers” drove the crowd wild, and Amit Singh’s intense, heart-pounding
performance on the dhol drums had fans dancing in the aisles. During
the Q&amp;A, contestants were asked tough questions about everything
from Asian American masculinity to the personality trait their mothers
would use to describe them.<br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="Mr Hyphen Leng Phe.jpg" src="http://www.hyphenmagazine.com/blog/Mr%20Hyphen%20Leng%20Phe.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="333" width="500" /></span><div align="center"><i>Singing His Heart Out: Leng Phe during the talent segment. Photo by John C. Liau. </i><br /><br /><div align="left">In the fashion segment, contenders strutted their stuff in designs from <a href="http://www.fiftyseven-thirtythree.com/">fiftyseven-thirtythree</a> and <a href="http://www.estrellatadeo.com/">Estrella Tadeo</a>.
Fans screamed for both the designs and the men wearing them. Now fiftyseven-thirtythree is returning the love with a special discount
code for <b>Hyphen readers to get 30 percent off any online purchase
between November 17 and 21. </b>(code: HYPHEN). <br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="Mr Hyphen Amit.jpg" src="http://www.hyphenmagazine.com/blog/Mr%20Hyphen%20Amit.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="333" width="500" /></span><div align="center"><i>Mr. Detroit: Amit Singh rocks a jacket from Estrella Tadeo. Photo by John C. Liau.</i><br /></div><br /><br />To finish the fashion show,
the guys came out in sleepwear ranging from sexy to silly. R.J. Lozada
stepped out in a traditional bahag, and when Tony Douangviseth drew a
heart on his chest with whipped cream, his large and vocal group of
fans responded by pelting the stage with multicolored candy sprinkles. <br /><br />Aristotle
Garcia, aka Mr. Hyphen 2008, made an appearance to sing “This Is the
Moment” to an adoring crowd before passing the Mr. Hyphen crown on to
Pahole. Tony Douangviseth took the title of first runner-up. At
the end of the night, each candidate provided the audience with a new
face for Asian American masculinity, as well as an inspiration to make a
difference in the community. Male bonding never looked so good!<br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="3 Mr Hyphens.jpg" src="http://www.hyphenmagazine.com/blog/3%20Mr%20Hyphens.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="333" width="500" /></span><br /></div><i>A Few Good Men: Mr. Hyphen 2006 Robin Sukhadia, Mr. Hyphen 2009 Pahole Sookkasikon, and Mr. Hyphen 2008 Aristotle Garcia. Photo by John C. Liau.<br /><br /></i><div align="left"><br />

-- By guest blogger Elizabeth Smith<br /><br />If you have pictures from Mr Hyphen, please share them with us on our <a href="http://www.facebook.com/hyphenmagazine">Facebook </a>page or join our <a href="http://www.flickr.com/groups/1252048@N24/">Flickr Pool</a>.&nbsp; <br /></div></div><br />]]>
    </content>
</entry>

<entry>
    <title>D&apos;Lo talks about &apos;Minor D&apos;Tales&apos; at the Brava Theater SF</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/dlo-at-brava-theater-sf-minor.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3858</id>

    <published>2009-11-16T22:40:33Z</published>
    <updated>2009-11-18T01:48:04Z</updated>

    <summary> For those of you who were at Mr. Hyphen on Saturday night, you know exactly what I am talking about when I say that D&apos;Lo rocked it as emcee! D&apos;Lo brought out the best in the contestants, the judges,...</summary>
    <author>
        <name>Robin Sukhadia</name>
        
    </author>
    
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        <category term="Performance" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <category term="theater" label="theater" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="naatf-dlo.jpg" src="http://www.hyphenmagazine.com/blog/naatf-dlo.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="321" width="450" /></span>

<br />For those of you who were at Mr. Hyphen on Saturday night, you know exactly what I am talking about when I say that D'Lo rocked it as emcee! D'Lo brought out the best in the contestants, the judges, and the audience. <br /><br />Don't miss the solo performance this coming weekend at the Brava Theater in San Francisco.

The show, <em>Minor D'Tales</em>, runs this Thursday, November 19 through Saturday at Brava Theater in San Francisco. Written and performed by D'Lo, and directed by Adelina Anthony, the show is a series of excerpts from larger works-in-progress which include story-telling and character monologues.<br /><br />In the midst of a hectic rehearsal schedule at Brava, I got to talk with D'Lo about the creative process behind the show. Check out the interview: <br /><br />]]>
        <![CDATA[<b>What is your show about, and what got you to this point,
to create something this ambitious?</b><o:p></o:p>





<p class="MsoPlainText"><br />This particular solo show, called<i> Minor D’Tales</i>, present
excerpts from one of my larger pieces. <o:p></o:p>The show touches on everything, and the characters deal
with a lot. It is all comedically done. But it touches on serious topics that
we don’t get to openly talk about.<span style=""> </span>I
can’t get away from comedy. That is my primary mode. The wonderful thing about
these characters, is that they possess so many inner contradictions. <o:p></o:p></p>







<p class="MsoPlainText"><br /><b>Who are the characters you inhabit and present in <i>Minor
D’Tales?</i> </b><o:p><br /></o:p><br />I am presenting four new characters who are more dramatic,
less comedic than the other ones in my older show. I have a character who is
going up for parole, I have a character who is a public defender, I have a
character who is the angel of death. I have a character who is a Sri Lankan
nurse. I have a special character who doesn’t say anything, and then I have
voiceovers in between presented as an interview. These are more like interviews
with my Jekyll side. I am looking forward to it, looking forward to seeing how
I can work the characters better. This show is a testament to be being and
actor who doesn’t get cast in fixed roles. It’s my way of saying, “Since you
don’t write roles for me, I am writing these roles for myself!” <o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>I got to work with Adelina Anthony, I direct her stand up
full shows, and she directs my theater work. She is absolutely incredible. It
is all love going around.<o:p></o:p></p>

<p class="MsoPlainText"><o:p>&nbsp;</o:p></p>



<p class="MsoPlainText"><b>What role does your standup comedy play in <i>Minor D’Tales?</i></b><o:p> <br /></o:p></p>

<p class="MsoPlainText">A lot of people know me only for stand up. I do the
university college circuit only as a stand up and some solo theater. So, I’m
out there as a comedic person, but this is a set show, this is theater, this is
what I go and do regional theater with. It’s a whole different crowd that
usually sees this. I am really happy and excited to be showing this work.<o:p></o:p></p>

<p class="MsoPlainText"><o:p>&nbsp;</o:p></p>

<p class="MsoPlainText"><b>How do you feel about presenting here at the glorious
Brava Theater in San Francisco? </b><o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>I want to come with my best, especially because since
this is Brava theater. The people who work at Brava raise the stakes for you to
come with your best, because that is the way for you to show your appreciation
and respect.<o:p></o:p></p>



<p class="MsoPlainText"><o:p><br /></o:p><b>In your prior work you present a character that emulates
Mahatma Gandhi. How do you tackle the mythology and saintliness that surrounds
him in your work?</b><o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>In much of my work, I try to pull on characters that
resonate with the audience. The Gandhi I present in my older work is not
actually Gandhi, he is more neo-Gandhi. He is most based on my father and my
uncle. He comes with the politic of peace and non-violence, but he has grown up
only with violence. When you have somebody like Mahatma Gandhi, who is read as
being so holy, so down for the people, it can take away from the fact that he
was a real human being. He possessed a lot of contradictions, and he also had a
lot of fucked up shit, as with all of our great leaders. <br /></p><p class="MsoPlainText">What I am trying to
discuss is that if we keep trying to emulate and keep these people on a
pedestal, we are never going to understand the leader in ourselves. Because we
think we are not perfect like they are. We have to expose the truth and
realities of these leaders. Of course we can have people in power and we do
need leaders, but we have to accept them for their contradictions, and question
them while they are in our presence. I’m not saying we need to stop them from
their work, but we should constantly be behind them, and question them on how
they are getting things done. So, in that way, the Gandhi based character in my
show is very wise, because he comes from a legacy of understanding violence,
but he doesn’t care what others think.<span style="">&nbsp;
</span>He drinks, he smokes, and he talks crassly, but he also has this love
for his granddaughter who had to give this eulogy over her friend who died. He
accepts everyone for who they are, he looks at them funny, but loves them for
who they are. <o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>In my show, I tend to have these people who seem super
fucking holy, but who are saying the most whack shit. All of these characters
are drawn upon my real life.<o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>For example, I present this clairvoyant character who is trying
to tell me that all spirits have a gender. What book or religion is that even
true? She is telling me that I have to change, that it was my karmic path to be
born into a female body, but I am really a male. The pieces that I write are
about reclaiming your spot at the community table. I am not just saying I
belong at the table, but I am actually supposed to be running shit. Not in a
cocky bastard way, but in a self reliant way. When you put down the people who
are supposed to be at the table, then you are denying your community growth.<o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>The show also talks about spiritual places for gay and
queer people, as well as the gatekeepers, the people who are supposed to
meditate on the role of relationships on this planet, and them telling us how
it should be. There is no attachment to being tied into a typically male role
or female role. I am discussing that this is what we are doing wrong.<o:p></o:p></p>



<p class="MsoPlainText"><o:p><br /></o:p><b>You travel extensively presenting your ideas on gender
and identity through characters and stand up. Is it challenging facing so many
diverse audiences?</b><o:p></o:p></p>







<p class="MsoPlainText"><o:p></o:p>People gravitate towards the goofiness in the way that
these subject matters are presented.It is always a challenge, because I see my performances
as a way for me to be an infiltrator. In the Bay Area, there has been such a huge conversation
that has been scholarly and academic around gender and sexuality, but the
characters I present are so far from that academic world, that it provides
something else, another layer to deconstruct.<o:p></o:p></p>



<p class="MsoPlainText"><o:p></o:p>Performing in character is the only medicine I know to
give. It may not be much, but if I know this is what I got to give, why not
keep dishing it out?<o:p></o:p></p>

<br /><i>Minor D’Tales</i> is part of a series of works from local writers: the 

<i>Me, Myself and I </i>series, running November 19 through December 3. The series boasts D'Lo as the featured performer, but also several rotating works from local writers. On Saturday, D'Lo's <i>Minor D'Tales</i> will be paired with <i>Bare Knuckle</i> by Anthem Salgado. Does Anthem's name seem familiar? That's because he was a Mr. Hyphen contestant in 2007.<br /><br /><a href="http://www.brava.org/index.php?option=com_content&amp;view=article&amp;id=106&amp;Itemid=93">Get more info and tickets here.</a><br /><br /><br />__________________

<p>Robin Sukhadia<br />
Mr. Hyphen 2006/2007</p>

<p><img alt="Mr. H logo.GIF" src="http://www.hyphenmagazine.com/blog/archives/Mr.%20H%20logo.GIF" height="282" width="115" /></p><br />]]>
    </content>
</entry>

<entry>
    <title>Page Turner: Asian American Literary Festival</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/page-turner-asian-american-lit.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3855</id>

    <published>2009-11-14T22:30:20Z</published>
    <updated>2009-11-16T14:53:17Z</updated>

    <summary>This Saturday I was lucky enough to check out the first half of the Inaugural day-long Page Turner Asian American Literary Fest, presented by the nonprofit literary arts organization Asian American Writers&apos; Workshop. Held in the expansive Brooklyn PowerHouse Arena,...</summary>
    <author>
        <name>Cynthia Brothers</name>
        
    </author>
    
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    <category term="jenkwok" label="jen kwok" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jenniferhayashida" label="jennifer hayashida" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kavitharajagopalan" label="kavitha rajagopalan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kenchen" label="ken chen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="literature" label="literature" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="maengai" label="mae ngai" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mitrakalita" label="mitra kalita" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mydadisafob" label="my dad is a fob" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mymomisafob" label="my mom is a fob" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pageturnerfestival" label="page turner festival" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="poetry" label="poetry" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="policy" label="policy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="porochistakhakpour" label="Porochista Khakpour" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="postracial" label="post-racial" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sesshufoster" label="sesshu foster" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sreesreenivasan" label="sree sreenivasan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stuffindianslike" label="stuff indians like" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yellowface" label="yellowface" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="welcome.JPG" src="http://www.hyphenmagazine.com/blog/welcome.JPG" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="343" height="458" /></span>This Saturday I was lucky enough to check out the first half of the Inaugural day-long <a href="http://pageturnerfest.org/">Page Turner Asian American Literary Fest</a>, presented by the nonprofit literary arts organization<a href="http://www.aaww.org/"> Asian American Writers' Workshop</a>. <br /><br />Held in the expansive Brooklyn PowerHouse Arena, the festival was packed with compelling sessions featuring writers, performers, academics, and journalists, making it hard for this gal to choose which ones to drop in on. The sessions had an impressive turnout, and with speakers parked on couches as opposed to stuck behind a podium or table, had a less stiff, formalized vibe than your typical panel (more pics <a href="http://www.flickr.com/photos/aaww/sets/72157622805092982/">here</a>).<br /> <div><br /></div>]]>
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="aawwsignsmall.JPG" src="http://www.hyphenmagazine.com/blog/aawwsignsmall.JPG" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="367" height="253" /></span>"One-Way or Round Trip? Immigrant Arrival and Return" focused on the intersection between personal migration stories, diasporic identity, and immigration policy. <a href="http://kaviraj.typepad.com/">Kavitha Rajagopalan</a> read from <i>Muslims of Metropolis</i>, which takes an intimate look at three families' immigration experiences, while <a href="http://www.columbia.edu/cu/history/fac-bios/Ngai/faculty.html">Mae Ngai</a> (<i>Impossible Subjects</i>) tied unauthorized entry to macro factors such as the US' broken immigration system and the policy reforms needed to address immigration in a humane and practical way.<br /><br /><a href="http://www.sajaforum.org/2008/12/moves-kalita.html">Mitra Kalita </a>read from her book <i>Suburban Sahib</i>s, about her decision to move her family from New York to India, only to return after discovering she felt even more of an outsider in India than she did in America. Professor <a href="http://www.history.upenn.edu/faculty/kashani-sabet.shtml">Firoozeh Kashani-Sabet</a> (<i>Frontier Fictions</i>) discussed the growth of the Iranian American community, and how the decision to stay is not only due to political factors, but perhaps a sense of not quite belonging in contemporary Iran. I found that the dialogue among speakers approaching immigration from varied disciplines was an effective and interesting way to link the personal to political (and back again) in framing this pressing policy issue. <br /><br /><div align="center"><div align="left">"The New Eclectics" panel featured <a href="http://www.edlinforpresident.com/">Ed Lin</a> (<i>This is a Bust</i>), comedian <a href="http://jenkwok.wordpress.com/">Jen Kwok</a> (of "<a href="http://www.dateanasian.net/">Date An Asian</a>" fame), <a href="http://www.porochistakhakpour.com/">Porochista Khakpour</a>, and poet and American Book Award winner <a href="http://www.english.illinois.edu/maps/poets/a_f/foster/foster.htm">Sesshu Foster</a>, selected for their quirky and comedic writing style. Sesshu Foster read a poem from his new book <i>World Ball Notebook</i> -- about being pulled over and harassed by smalltown Utah cops -- and Porochista Khakpour read a "wet dream" excerpt from <i>Sons and Other Flammable Objects, </i>the focal point being "I Dream of Jeannie's" Barbara Eden, who Khakpour half-jokingly described as every Middle Eastern man's boyhood fantasy.<br /></div><br /></div><span class="mt-enclosure mt-enclosure-image"><img alt="jenkwok.JPG" src="http://www.hyphenmagazine.com/blog/jenkwok.JPG" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="254" height="392" /></span><div align="center"><i>Porochista Khakpour and Jen Kwok</i><br /><br /></div>Jen Kwok serenaded us with a ukelele'd rendition of "Date an Asian", as well as the first song she ever wrote, about the difficulties of being a sassy fat girl stuck in a skinny Asian girl's body. Ed Lin read several short pieces recounting his childhood hatred of playing clarinet and getting cursed out by his exacting, uptight music teacher. Lin then channeled his mom to tell a ghost story, which turned out to just be her describing the anxiety she experienced while watching <i>The Ring</i>. <br /><br />The speakers then discussed issues of being looked to as an "authentic" Asian American voice -- whether from white readers or their own communities -- and how their "eclectic style" was sometimes met with resistance or confusion. Ironically, a white lady in the audience made the comment that she was surprised by the panelists' humor and even (gasp!) vulgarity, and found that Asian American writing was not usually like that...was this a trend in Asian American literature? After some palpable squirming and cringing in the audience (I was hoping for a bellowing AW HELL NAW from the back), Porochista Khakpour replied: "People of color are funny and vulgar and raw just like other people," to which Sesshu Foster added: "There's a trend in mainstream culture of boring and staid literature, and I don't want to be that." Boom! And that's real talk!<br /><br /><span class="mt-enclosure mt-enclosure-image"><img alt="dhh.JPG" src="http://www.hyphenmagazine.com/blog/dhh.JPG" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="419" height="392" /></span><div align="center"><i>Sree Sreenivasan, Jennifer Hayashia, David Henry Hwang</i><br /></div><br />The last panel I attended, "Beyond Harold and Kumar: Representation in a Not-Yet-Post-Racial-Era", was packed with folks to see playwright <a href="http://en.wikipedia.org/wiki/David_Henry_Hwang">David Henry Hwang</a>, CUNY Director of Asian American Studies <a href="http://www.hunter.cuny.edu/aasp/people/jennifer-hayashida-acting-director">Jennifer Hayashid</a>a, and Columbia School of Journalism Dean of Student Affairs <a href="http://www.sree.net/">Sree Sreenivasan</a>, discussing the invisibility/visibility of Asian America in everyday American culture. Hwang read an excerpt from <i>Yellowface, </i>and Sreenivasan described his obsession with "Desi-spotting", and how it embarasses his kids, who consider themselves American as opposed to Indian. <br /><br />While the well-worn issue of the generational gap came up, the discussion interestingly turned to the role of new blogs and social media in reclaiming Asian American identity. Hayashida felt that sites like <a href="http://www.mymomisafob.com/">My Mom Is A Fob</a>, <a href="http://www.stuffindianslike.com/">Stuff Indians Like</a>, and <a href="http://www.disgrasian.com/">Disgrasian </a>are able to re-write racial constructs and re-claim pride in Asian American idiosyncracies in a way that may have been frowned upon by our activist predecessors. Everyone seemed in agreement that "post-racial" is a unhelpful and meaningless attempt at solidarity (with similar pitfalls as the "colorblind" argument), and moving beyond "Otherness" requires proactively talking more -- not less -- about race, class, and all the things that make up our differing and multiple identities.<br /><br />Overall, the Page Turner Festival made clear that Asian American writers are no longer relegated to being racial ambassadors or bridges between the mainstream and ethnic. While sometimes overshadowed by the Amy Tans and Maxine Hong Kingstons (at least in mainstream lit), there is no dearth of powerful, raw, hilarious, touching and everything-in-between Asian American literature, which must be supported so we can continue to have a strong community of writers that voice the complexity of Asian America.<br /><div><br /></div>]]>
    </content>
</entry>

<entry>
    <title>An Interview with Designer Estrella Tadeo</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/an-interview-with-designer-est.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3854</id>

    <published>2009-11-14T00:54:30Z</published>
    <updated>2009-11-14T10:10:46Z</updated>

    <summary> photo courtesy of Estrella TadeoThe menswear designer talks to us about her line, working at a co-op, and what a well-dressed Mr. Hyphen would wear.To the male college graduates still shuffling to work in cargo shorts and polo shirts:...</summary>
    <author>
        <name>Elaine Low</name>
        
    </author>
    
        <category term="Fashion" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Hyphen Events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="clothing" label="clothing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="designer" label="designer" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="estrellatadeo" label="estrella tadeo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fashion" label="fashion" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mrhyphen" label="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="estrella_tadeo.jpg" src="http://www.hyphenmagazine.com/blog/estrella_tadeo.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="265" height="214" /></span>

<div align="center"><i>photo courtesy of Estrella Tadeo</i><br /></div><i><br /></i><i>The menswear designer talks to us about her line, working at a co-op, and what a well-dressed Mr. Hyphen would wear</i>.<br /><br />To the male college graduates still shuffling to work in cargo shorts and polo shirts: <a href="http://www.estrellatadeo.com/">Estrella Tadeo</a> feels for you. <br /><br />"There's
a huge gap from skater boy to professional," says Tadeo. "When [skater
boy] grows up, he can't afford the YSL, but still wants to look cool." <br /><br />The
menswear designer and co-founder of <a href="http://www.missionstatementsf.com/">The Mission Statement</a>, a co-op
boutique, laments the lack of options available for guys. While she
loves designing for both men and women, she sees a higher need for more
menswear options, since women typically have more to choose from in a
department store. For guys, there aren't too many different looks to
work with between Frat Boy and Wall Street. <br /><br />"You don't
necessarily want to look stuffy but you want to look polished and hip,"
she says. "Especially with younger men becoming professionals at a
younger age, there's a middle market there."<br /><br />]]>
        <![CDATA[Tadeo caters to
that middle market with her tailored, structural designs. Asked if
there are often clueless guys who walk into her store looking for
fashion advice, she quickly responds, "Oh yeah. They need help." The
most important detail a guy should look out for? Fit. <br /><br />"Fit is
a huge thing for me," she says. "Everything should have a good fit. I'm
not so into the baggy fit for men. I like English tailoring -- not
tight but fitted. […] I strive for more timeless pieces, more than
anything else. It's not necessarily a trendy thing." <br /><br />While she
sounds like a style pro, a career in fashion design wasn’t always the
dream for Tadeo. Working in the garment industry since 1991, she
learned the ropes early on, taking a full-time job just out of high
school as a production assistant for a San Francisco line. <br /><br />"As
a young girl, I didn't really want to be a fashion designer," says
Tadeo. "I fell into it in a way. I learned about garment construction
on the job." <br /><br />Through the years she went on to work on a line
with her sister, later moving to New York and then ultimately, back to
San Francisco. While the fashion scene there isn't as abundant as New
York's, Tadeo appreciates the camaraderie of San Francisco Bay Area designers,
leading her to co-found a designer co-op a year and a half ago. The
Mission Statement is now home to the work of eight designers, featuring
a well-rounded array of clothes, silk screen designs, jewelry and
cosmetics. Tadeo says she loves the variety and feeling of community in
her little family of designers.<br /><br />"I would say that the one great
thing about the design community here is that it's tightly knit and
everybody wants to help everybody else out," says Tadeo. "Everyone is
just happy that there’s this camaraderie. I'm excited when I see
younger [designers] just starting out, I'm excited to help them until
they can get to the point where they can manage themselves."&nbsp; <br /><br />And what would Tadeo consider a fashionable Mr. Hyphen? <br /><br />"Structure
and tailoring are big factors. I love variables -- a polished,
well-fitted jacket, but paired with colors and accessories. My ideal
person would have on a well-groomed, fitted [outfit]," she says,
pausing to add, "I like scarves."<br /><br />--<br /><a href="http://www.hyphenmagazine.com/component/option,com_magazine/func,show_edition/id,93/Itemid,1/">Mr. Hyphen 2009</a> will take place on Saturday, November 14 at the Oakland Asian Cultural Center. <a href="https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&amp;SESSION=bU7q6ShoV1auf7cLJXZM62Q_swP2E--RRO9AesrkReeKsnjBQAeIKCrlH_K&amp;dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b833248354cf50881e4ea372b2a42d76305e03018dc2a2bc7">Buy tickets here</a>!<br /><br />]]>
    </content>
</entry>

<entry>
    <title>Mr. Hyphen: Your Ticket to a Good Time</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/mr-hyphen-your-ticket-to-a-goo.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3852</id>

    <published>2009-11-13T23:37:33Z</published>
    <updated>2009-11-19T21:48:23Z</updated>

    <summary>The ladies go wild for Mr. Hyphen. Photo by John C. Liau. All Rights Reserved.Our annual fundraiser, Mr. Hyphen, is tomorrow night. Have you gotten your tickets yet? For those of you who have never been to a Mr. Hyphen...</summary>
    <author>
        <name>Melissa Hung</name>
        
    </author>
    
        <category term="Hyphen Events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="activism" label="activism" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mrhyphen" label="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="mrhyphen-audience.jpg" src="http://www.hyphenmagazine.com/blog/mrhyphen-audience.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="333" width="500" /></span><div align="center"><i>The </i><i>ladies go wild for Mr. Hyphen. Photo by John C. Liau. All Rights Reserved.</i><br /></div><br />Our annual fundraiser, Mr. Hyphen, is tomorrow night. Have
you gotten your tickets yet?
<br /><br />For those of you who have never been to a <a href="http://www.hyphenmagazine.com/component/option,com_magazine/func,show_edition/id,93/Itemid,1/">Mr. Hyphen
competition</a>, how can I explain it to you? Well, it honors Asian American men
who are doing good work in the community, from empowering youth to making sure our voices are heard in the media. Each contestant represents a nonprofit org. The winner takes home $1,000 for his organization.
<br /><br />]]>
        <![CDATA[Learn more about the finalists:<br /><br /><a href="http://www.hyphenmagazine.com/blog/2009/11/amit-singh-six-days-of-mr-hyph.html">Amit Singh, </a>Sikhcess<br /><br /><a href="http://www.hyphenmagazine.com/blog/2009/11/danny-le-six-days-of-mr-hyphen.html">Danny Le</a>, APIA Spoken Word &amp; Poetry Summit<br /><br /><a href="http://www.hyphenmagazine.com/blog/2009/11/leng-phe-six-days-of-mr-hyphen.html">Leng Phe,</a> Tiny Toones Cambodia<br /><br /><a href="http://www.hyphenmagazine.com/blog/2009/11/pahole-sookkasikon-six-days-of.html">Pahole Sookkasikon, </a>Thai-American Scholarship Fund<br /><br /><a href="http://www.hyphenmagazine.com/blog/2009/11/rj-lozada-six-days-of-mr-hyphe.html">R.J. Lozada,</a> Center for Asian American Media<br /><br /><a href="http://www.hyphenmagazine.com/blog/2009/11/tony-douangviseth-six-days-of.html">Tony Douangviseth,</a> Serve the People<br /><br /><br />I could go on and on about the great community work that they all do. But what you really need to know is that it's a super fun time. You'll laugh and
cheer and feel inspired, all at the same time. Talent! Interviews! Some serious stereotype-smashing! Did I mention that there's a catwalk? It's a <a href="http://disgrasian.com/2009/11/we-%E2%99%A5-the-future-mr-hyphen/">"parade of hotness,"</a> as Disgrasian says. <br />
<br />
So, we hope to see you tomorrow night in Oakland. Buy your
tickets online in advance. (It's $5 cheaper than tickets at the door and we know the Asian in you can't pass up a chance to save moolah.) <a href="https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&amp;SESSION=bU7q6ShoV1auf7cLJXZM62Q_swP2E--RRO9AesrkReeKsnjBQAeIKCrlH_K&amp;dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b833248354cf50881e4ea372b2a42d76305e03018dc2a2bc7">Buy your tickets</a> by 10 pm tonight
-- that's when advance ticket sales end.


<br /><br />Then come root for your favorite Asian American do-gooder. It's a
good time -- for many good causes.<br /><br />]]>
    </content>
</entry>

<entry>
    <title>How to Draw Asian Women</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/how-to-draw-asian-women.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3851</id>

    <published>2009-11-13T21:03:11Z</published>
    <updated>2009-11-13T21:46:11Z</updated>

    <summary>When I first saw the heading for this entry on Jezebel, I immediately thought: Oh great, another book/seminar/workshop on how to attract Asian chicks by some skeezy bloated white guy or Asian girl with serious internalized racim issues. But, Surprise!...</summary>
    <author>
        <name>Cynthia Brothers</name>
        
    </author>
    
        <category term="Race" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="billconnolly" label="bill connolly" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="creepy" label="creepy" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="howtodrawasianwomen" label="how to draw asian women" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jezebel" label="Jezebel" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="racism" label="racism" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<p sizcache="0" sizset="41">When I first saw the heading for this entry on <a href="http://jezebel.com/5403557/how-do-you-draw-asian-women" jquery1258145770945="8">Jezebel</a>, I immediately thought: Oh great, another 
book/seminar/workshop on how to attract Asian chicks by some skeezy bloated white guy or Asian girl with serious internalized racim issues.</p>
<p>But, Surprise! Racism (and the homonymerific English language) is so creative, and totally outmaneuvered my entrenched, stereotypical expectations.</p><p><br /></p><p>

<object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/It3cc5ofXUk&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/It3cc5ofXUk&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="340" width="560"></object> <br /></p><br />

]]>
        <![CDATA[<p>So how <em>DO</em> you draw Asian women? Well, according to Bill
Connolly, "cartoonist and artist extraordinaire", you draw em' with
"some beyoootifuullll eyes...and small nose there...beautiful big full
lipsssss...and long silky hair." Geez Bill, why don't you just draw
yourself with a big boner in there while you're at it?</p><p>Apparently <em>a lot</em>
of people have asked this pressing, elusive question that has stumped
man since time immemorial. But has anyone asked why Bill's rendition
looks like a wall-eyed 8-year-old drew it with his left hand? And I
know he was really going for a portrayal of beeeeyaaaaooooteeefuuuul
chinky eyes here, but fer Chrissake, she looks like a Roswell alien in
drag who got double-knuckle sammich'ed in the peepers.</p>
<p>Wow, thanks for that, Bill Connolly: Cartoonist, artist, and asshat extraordinaire.</p>Originally published at <a href="http://www.bicoastalbitchin.com/">Bicoastal Bitchin</a>]]>
    </content>
</entry>

<entry>
    <title>Lou Jing and Racism in China</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/lou-jing-and-racism-in-china.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3850</id>

    <published>2009-11-13T10:56:33Z</published>
    <updated>2009-11-13T20:35:30Z</updated>

    <summary> When my mother drives, she wears a plastic visor that juts out like the back of Darth Vader&apos;s helmet. Her friends wear gloves that unravel to the elbow and giant white windbreakers in 80-degree weather. My sister used to...</summary>
    <author>
        <name>Winston Chou</name>
        
    </author>
    
        <category term="Race" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="TV" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="americanidol" label="american idol" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="china" label="china" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="loujing" label="lou jing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="obama" label="obama" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="racism" label="racism" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/9ewkusovtto&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/9ewkusovtto&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>

<p><br>When my mother drives, she wears a plastic visor that juts out like the back of Darth Vader's helmet. Her friends wear gloves that unravel to the elbow and giant white windbreakers in 80-degree weather. My sister used to tell me how jealous she was when I came home, scorched brown from hours of basketball in my friends' driveways, and my parents would ask her: "Why would you want to get any darker? You'd look like a black girl."<br /><br />
</p>]]>
        <![CDATA[<p><a href="http://www.time.com/time/world/article/0,8599,1925589,00.html">This</a> story made me think of those moments. In short: Lou Jing is a 20-year-old Shanghainese woman and the daughter of a Chinese mother and a black father. A contestant on an <i>American Idol</i>-esque show in China (<i>Go! Oriental Angel</i>), she met an ugly, <a href="http://parlourmagazine.com/2009/09/a-new-kind-of-idol-lou-jing/">ugly</a> reaction from Chinese viewers commenting on websites dedicated to the show. I’ve never heard anything in my own community nearly as vitriolic as those online statements, but it isn’t difficult to imagine that they sprout from the same seed as the offhand racism in, say, calling a black woman “<a href="http://www.npr.org/templates/story/story.php?storyId=120311417&amp;ps=cprs">chocolate-colored</a>” on national television. And, growing up, I did hear that kind of careless, demeaning remark frequently.<br /><br />I’m not the only one perturbed, but I am one of the few interested in speaking from a somewhat even-handed perspective. Curiously, coverage of the story has often been structured around the <a href="http://www.smh.com.au/world/oriental-angel-triggers-china-race-row-20091113-ie3f.html">juxtaposition</a> of Lou Jing with Barack Obama, the implication being that racism, in all its “no coloreds allowed” ignominy, has vanished from the American public dialogue -- but plagues an ignorant Chinese populace still. Consider <a href="http://www.guardian.co.uk/world/2009/nov/01/lou-jing-chinese-talent-show">this</a> headline, for instance.<br /><br />This blog has addressed this issue -- the Orientalization of racism -- <a href="http://www.hyphenmagazine.com/blog/2009/11/new-york-times-spotlights-raci.html">before</a>. Of course, pretending that the United States has come no further than China (or South Korea) masks both deep-seated problems that do need to be addressed by the Chinese (and South Koreans), and the very real progress that the United States has made in the last handful of decades.<br /><br />But we should be wary of any story that tells us how China’s true, bigoted character revealed itself in the furor surrounding Lou Jing. What that line reveals is an inability to conceptually divorce a nation from its fringe. What, for example, do the plethora of racist comments on <a href="http://www.amren.com/mtnews/archives/2009/09/can_a_mixed_rac.php">this</a> site tell us about the whole of American citizens?&nbsp; <br /><br />It’s easy to be an offensive, racist idiot on the Internet. It’s harder to be one in real life, where Lou Jing and <a href="http://blogs.telegraph.co.uk/news/malcolmmoore/100015804/chinas-black-pop-idol-does-not-expose-her-nations-racism/">other</a> commentators have argued that Shanghai is increasingly progressive and accepting of those who look different. <br /><br />It’s important to address bigotry regardless of where we find it. But casting a snide gaze toward the disgusting comments posted online regarding Lou Jing is more than a bit hypocritical, especially with President Obama’s reception as ostensibly a symbol of <a href="http://www.cnn.com/2009/POLITICS/09/17/obama.witchdoctor.teaparty/index.html">our</a> <a href="http://www.cnn.com/2009/POLITICS/06/16/tennessee.email/index.html">enlightened</a> <a href="http://www.huffingtonpost.com/2009/07/28/fox-host-glenn-beck-obama_n_246310.html">approach</a> to race. And in a way, China, by portraying sympathetically a member of an ethnic minority on a major television show and addressing the racism directed towards her in public dialogue, is making the kind of progress Asian Americans continue to clamor for on this end of the Pacific.<br /><br /></p>]]>
    </content>
</entry>

<entry>
    <title>Six Days of Mr. Hyphen: Pahole Sookkasikon</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/pahole-sookkasikon-six-days-of.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3837</id>

    <published>2009-11-13T09:01:27Z</published>
    <updated>2009-11-13T08:08:30Z</updated>

    <summary> Mr. Hyphen 2009 contestant Pahole Sookkasikon will represent the Thai-American Scholarship Fund, a foundation created to assist students of Thai heritage in relieving the costs of a college education, and to encourage their participation in programs that instill appreciation...</summary>
    <author>
        <name>Andrew Pai</name>
        
    </author>
    
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        <category term="Hyphen Events" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <category term="mrhyphen" label="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="paholesookkasikon" label="Pahole Sookkasikon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="savethethaitemple" label="Save the Thai Temple" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thaiamericanscholarshipfund" label="Thai-American Scholarship Fund" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="blog_pahole.jpg" src="http://www.hyphenmagazine.com/blog/blog_pahole.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" width="288" height="288" /></span>

<b>Mr. Hyphen 2009</b> contestant <b>Pahole Sookkasikon</b> will represent the <a href="http://www.asianpacificfund.org/awards/thai.shtml"><b>Thai-American Scholarship Fund</b></a>, a foundation created to assist students of Thai heritage in relieving the costs of a college education, and to encourage their participation in programs that instill appreciation and knowledge of Thai culture. The fund was started due to the limited number of scholarships available specifically for American-born Thais.<br /><br /><b>About Pahole: </b><br /><br />An optimist and a dreamer, Pahole is a family-oriented man who has set out to change the world in epic ways, citing his nephews as the people to whom he will show that the world is not such a bad place. In his spare time, this hero sings to the mirror. If the going gets tough, Pahole laughs. <br /><br />]]>
        <![CDATA[A recent graduate of Asian American Studies from San Francisco State
University, Pahole is a core member of Save the Thai Temple, a group of
second-generation Thai who spearheaded the fight to keep Sunday’s food
offering service at Berkeley’s Thai Temple (Wat Mongkolratanaram).
Participating in outreach and advocacy campaigns, Pahole strives to
promote visibility for the smaller ethnic groups that have recently
begun to emerge as part of the community.<br />
<br />
<b>Pahole Says:</b><br /><br />Honestly, I want to keep it real like the
rice fields and thoroughly enjoy the time I get as Mr. Hyphen. I want
to fully promote Thai American as well as Southeast Asian American
visibility as much as I can. Winning Mr. Hyphen [...] will help bring
some acknowledgment that our community is changing.<br /><br />--<br /><a href="http://www.hyphenmagazine.com/component/option,com_magazine/func,show_edition/id,93/Itemid,1/">Mr. Hyphen 2009</a> will take place on Saturday, November 14 at the Oakland Asian Cultural Center. <a href="https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&amp;SESSION=jEF3RfW2ZFO_bCGgwXXefEw1d5NCjpxDJmgEvKSLkYLwD0M7IdZfQdhPkCO&amp;dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b833248354cf50881b500d37e944d21e54bc78c93b5368dc8">Buy tickets here</a>!<br /> <div><br /></div>]]>
    </content>
</entry>

<entry>
    <title>Bo Dietl Says Katie Couric Looks &apos;Oriental&apos;</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/bo-dietl-says-katie-couric-loo.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3849</id>

    <published>2009-11-13T02:39:54Z</published>
    <updated>2009-11-13T08:14:52Z</updated>

    <summary><![CDATA[Fox commentator Bo Dietl goes all-out on Don Imus' show the other day, even pulling his eyes back to make the point that Katie Couric looks "Oriental."&nbsp;...]]></summary>
    <author>
        <name>Harry Mok</name>
        <uri>www.hyphenmagazine.com</uri>
    </author>
    
        <category term="Gender" scheme="http://www.sixapart.com/ns/types#category" />
    
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    <category term="bodietl" label="bo dietl" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="donimus" label="don imus" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="katiecouric" label="katie couric" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="oriental" label="oriental" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="stereotypes" label="stereotypes" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[<div align="center"><object height="460" width="520"><param name="movie" value="http://cloudfront.mediamatters.org/static/flash/player.swf" /><param name="flashvars" value="config=http://mediamatters.org/embed/cfg2?id=200911110010" /><param name="allowscriptaccess" value="always" /><param name="allownetworking" value="all" /><embed src="http://cloudfront.mediamatters.org/static/flash/player.swf" type="application/x-shockwave-flash" flashvars="config=http://mediamatters.org/embed/cfg2?id=200911110010" allowscriptaccess="always" allowfullscreen="true" height="460" width="520"></object></div><div><br /></div><div>Fox commentator Bo Dietl goes all-out on Don Imus' show the other day, even pulling his eyes back to make the point that Katie Couric looks "Oriental."&nbsp;</div><div><br /></div>]]>
        <![CDATA[<div>Here's what he said:</div><div><br /></div><blockquote class="webkit-indent-blockquote" style="border: medium none ; margin: 0pt 0pt 0pt 40px; padding: 0px;">She looks like a Halloween cartoon. She's got her eyes pulled so far, she's starting to look Chinese herself. Enough with these face lifts, alright Kate. And enough with the young guys Katie. You're over the top baby. You're over 50. Start going out with guys your own age. This cougar stuff don't work.</blockquote><div><br /></div><div>After Imus makes a half-hearted attempt to defend Couric and change the subject, Dietl goes on to say:</div><div><br /></div><blockquote class="webkit-indent-blockquote" style="border: medium none ; margin: 0pt 0pt 0pt 40px; padding: 0px;">Ten years ago, she looked American. Today she is an Oriental.</blockquote><div><br /></div>I don't know what Dietl has against Couric, but really? To use an entire ethnic group as an insult?<br /><br />Of course, there're announcers calling NBA star <a href="http://www.nba.com/playerfile/yi_jianlian/index.html">Jianlian Yi</a> <a href="http://www.hyphenmagazine.com/blog/2009/11/nba-commentator-calls-yi-jianl.html">Chinaman</a>, so it's clear that sportscasters pay absolutely no mind to what is deemed racially offensive by those funny-looking Orientals -- or, er, Asian Americans.<br /><br />The "it's OK to make fun of Asians" file is getting so full, we’ll have to create a subcategory: File this one under “it’s OK to use Asians to make fun of people.”<br /><br />]]>
    </content>
</entry>

<entry>
    <title>Six Days of Mr. Hyphen: Danny Le</title>
    <link rel="alternate" type="text/html" href="http://www.hyphenmagazine.com/blog/2009/11/danny-le-six-days-of-mr-hyphen.html" />
    <id>tag:www.hyphenmagazine.com,2009:/blog//5.3835</id>

    <published>2009-11-12T18:07:22Z</published>
    <updated>2009-11-14T01:26:49Z</updated>

    <summary><![CDATA[ Mr. Hyphen 2009 contestant Danny Le will represent the APIA Spoken Word &amp; Poetry Summit, a gathering of spoken word artists and enthusiasts. Since 2001, the summit has convened every two years in different cities across the United States...]]></summary>
    <author>
        <name>Andrew Pai</name>
        
    </author>
    
        <category term="Events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Hyphen Events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="apiaspokenwordpoetrysummit" label="APIA Spoken word &amp; poetry summit" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dannyle" label="Danny Le" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mrhyphen" label="Mr. Hyphen" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.hyphenmagazine.com/blog/">
        <![CDATA[

<span class="mt-enclosure mt-enclosure-image"><img alt="blog_dannyle.jpg" src="http://www.hyphenmagazine.com/blog/blog_dannyle.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="288" width="288" /></span><br /><b>Mr. Hyphen 2009</b> contestant <b>Danny Le</b> will represent the <a href="http://apiaword.com/"><b>APIA Spoken Word &amp; Poetry Summit</b></a>, a gathering of spoken word artists and enthusiasts. Since 2001, the summit has convened every two years in different cities across the United States and, in a span of four days, engages its participants in workshops, performances and discussions geared toward the awareness and progression of APIA arts and its activist community.<br /><br /><b>About Danny:</b><br /><br />In 1989, Danny moved from Oklahoma to California and was welcomed with a BAM. It’s been 20 years since the Loma Prieta Earthquake, but Danny has never stopped being a mover and a shaker. As an avid promoter of the APIA culture and performer of the literary arts himself, Danny has always valued the importance of culture and community. <br /><br />]]>
        <![CDATA[He believes a space is needed for young Asian writers to tell their
stories, and to do so, teamed up with six other individuals to put
together the 5th APIA summer just this past summer, drawing out over
150 people from all across the globe to represent their communities and
share their voices. An owner of a convenience store and a co-owner of a
shoe company, Danny has used his reach to promote many art spaces
and groups dedicated to the awareness of APIA cultures.<br /><b><br />Danny says:</b><br /><br />The
reason why I would fit the bill for Mr. Hyphen is because of the amount
of involvement and dedication I have given my community over the past
decade. I feel supporting local organizations that help highlight
people of color doing amazing, creative things is essential to the
cultural makeup of our communities.<br /><br />--<br /><a href="http://www.hyphenmagazine.com/component/option,com_magazine/func,show_edition/id,93/Itemid,1/">Mr. Hyphen 2009</a> will take place on Saturday, November 14 at the Oakland Asian Cultural Center. <a href="https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&amp;SESSION=bU7q6ShoV1auf7cLJXZM62Q_swP2E--RRO9AesrkReeKsnjBQAeIKCrlH_K&amp;dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b833248354cf50881e4ea372b2a42d76305e03018dc2a2bc7">Buy tickets here</a>!<br /><br /> <div><br /></div><div><br /></div>]]>
    </content>
</entry>

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